Why The Dark Ages Were Actually A Time Of Great Achievement | King Arthur's Britain | Timeline
AtlantisEmpire
Published on Aug 15, 2021
Francis Pryor examines the relics of the Dark Ages to build a fuller picture of this much-maligned era. Popular belief has always held that the departure of the Romans led to barbarism in Britain, but archaeological finds have shed light on a cultured, literate society that embraced the growing Romanised Christian religion and embarked on a profitable trading relationship with the Byzantine Empire.
Sheep-farming archaeologist, Francis Pryor, presents a brand new historical series which explores Britain A.D, the British national character and the ultimate British icon King Arthur.
Finding new and previously unexplained evidence, Francis Pryor overturns the idea that Britain reverted to a state of anarchy and disorder after the Romans left in 410 AD. Instead of doom and gloom Francis discovers a continuous culture that assimilated influences from as far a field as the Middle East and Constantinople. Through scrutinising the myth of King Arthur to find out what was really going on when the Romans left, Francis is confronted by evidence that confounds traditional views of the 'Dark Ages'. There was also no invasion of bloodthirsty Anglo Saxons, rampaging across the countryside. With new archaeological evidence Francis discovers a far more interesting story.
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Produced by Diverse Productions.
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The content presented in this stream and/or video may be satirical in nature for entertainment purposes. It may contain realistic scenarios that may include themes of racism, anti-semitism, anti-LGBT sentiment and even elements such as death threats, all purely in the context of parody. In addition, this content may depict or refer to acts of violence in a satirical manner. Shock factor is a common and deliberate element used in these displays to emphasise the satirical message. By continuing to view this content, you acknowledge that you understand the satirical nature of this content, including the depiction of violence and the use of shock factor, and agree that you will not use or interpret this content outside of its intended context. Please remember that humour and satire are complex; they are not intended to belittle or demean, but to engage and challenge social norms through exaggeration. If you have any concerns about content, please feel free to engage in constructive dialogue or report issues to GTV staff.
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